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Dispositionen der
Mainzer Domorgeln |
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Querhaus (Klais 1928 /
Kemper 1965)
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I Manual
C–a3
(Südchorette)
"Empore I"
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Quintade |
16' |
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Prinzipal |
8' |
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Gedackt |
8' |
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Gemshorn |
8' |
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Oktav |
4' |
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Querflöte |
4' |
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Quintade |
4' |
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Nasat |
22/3' |
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Oktav |
2' |
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Waldflöte |
2' |
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Mixtur VI |
11/3' |
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Zimbel III |
1/2' |
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Oboe |
8' |
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Helltrompete |
4' |
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Tremulant |
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Pedal
C–f1
(Südchorette)
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Subbass |
16' |
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Flötbass |
8' |
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Choralbass |
4' |
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Trompete |
8' |
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II Manual
schw.
C–a3
(Nordwand)
"Empore II"
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Gedackt |
16' |
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Prinzipal |
8' |
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Hohlflöte |
8' |
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Quintade |
8' |
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Salicional |
8' |
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Oktav |
4' |
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Rohrflöte |
4' |
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Blockflöte |
2' |
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Terzflöte (ab c0) |
13/5' |
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None |
8/9' |
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Oktävlein |
1/2' |
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Rauschpfeife II |
22/3' |
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Mixtur V |
1' |
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Rankett |
16' |
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Trompete ged. |
8' |
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Geigenregal |
4' |
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Tremulant |
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Pedal
C–f1 (Nordwand)
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Prinzipalbass |
16' |
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Gedacktbass (II) |
16' |
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Oktavbass |
8' |
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Quintade (II) |
8' |
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Pedaloktav |
4' |
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Nachthorn |
2' |
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Rauschpfeife IV |
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Posaune |
16' |
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Trompete |
4' |
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IV Manual C–a3
(Wächterhäuschen)
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Kardinalstrompete |
8' |
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Westchor (Klais
1928)
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III Manual
C–a3
(Chorgestühl)
"West I"
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Prinzipal |
16' |
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Prinzipal |
8' |
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Offenflöte |
8' |
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Schweizerpfeife |
8' |
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Nachthorngedackt |
8' |
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Oktav |
4' |
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Nachthorn |
4' |
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Quinte |
22/3' |
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Oktave |
2' |
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Mixtur IV-VI |
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Zymbel VI |
1’ |
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Bombarde |
16' |
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Trompete |
8' |
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IV
Manual
schw.
C–a3
(Chorgestühl)
"West II"
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Spitzflöte |
8' |
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Lieblich Gedackt |
8' |
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Unda maris |
8' |
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Prinzipal |
4' |
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Blockflöte |
4' |
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Nachthorn |
2' |
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Nasat |
11/3' |
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Sifflöte |
1’ |
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Sesquialter II |
22/3' |
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Scharff IV |
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Krummhorn |
8' |
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Clairon |
4' |
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Tremulant |
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Pedal
C–f1
(Chorgestühl)
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Untersatz |
32' |
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Prinzipalbaß |
16' |
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Subbaß |
16' |
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Oktavbaß |
8' |
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Flötbaß |
8' |
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Pedaloktav |
4' |
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Rauschpfeife IV |
4' |
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Posaune |
16' |
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Schalmey |
4' |
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Cornett |
2' |
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Ostchor (Kemper 1965)
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V
Manual C–a3
(Kaiserlogen)
"Ost I"
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Pommer |
16' |
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Prinzipal |
8' |
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Holzflöte |
8' |
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Spitzgambe |
8' |
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Oktave |
4' |
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Quintade |
4' |
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Gedackt |
4' |
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Quinte |
22/3' |
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Rauschpfeife III |
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Scharff IV |
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Mixtur VIII |
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Spanische Fanfare (horizontal) |
16' |
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Spanische Trompete (horizontal) |
8' |
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Tremulant |
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VI Manual schw. C–a3
(Kaiserlogen)
"Ost II"
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Spitzgedackt |
8' |
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Quintade |
8' |
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Lochflöte |
4' |
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Strichflöte |
4' |
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Prinzipal |
2' |
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Waldflöte |
2' |
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Nonensesquialter III |
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Zwergzymbel V |
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Spanische Trompete (horizontal) |
8' |
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Spanische Fanfare (horizontal) |
4' |
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Nicht schwellbar: |
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Salizet |
8' |
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Tremulant |
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Pedal
C–f1
(Kaiserlogen)
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Pommer |
16' |
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Subbass |
16' |
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Oktavbass |
8' |
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Gedecktbass |
8' |
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Choralbass |
4' |
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Quintade |
2' |
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Rauschpfeife V |
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Fanfare (horizontal) |
16' |
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Trompete (horizontal) |
8' |
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Trompete (horizontal) |
4' |
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Koppeln:
Emp.II/Emp.I (II/I),
West I/Emp.I (III/I), West II/Emp.I (IV/I), Ost I/Emp.I (V/I), Ost II/Emp.I
(VI/I), West I/Emp.II (III/II), West II/Emp.II (IV/II), Ost I/Emp.II (V/II),
Ost II/Emp.II (VI/II), West II/West I (IV/III), Ost II/Ost I (VI/V), Emp.I/Ped
(I/P), Emp.II/Ped (II/P), West I/Ped (III/P), West II/Ped (IV/P), Ost I/Ped
(V/P), Ost II/Ped (VI/P)
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Spielhilfen:
Handregister, 4 freie Kombinationen, Handregister zu Kombination, 2 freie
Pedalkombinationen, Zungen ab, Manual 16' ab, 32' ab, Empore II ab,
Einzelabsteller, Tutti West, Tutti Ost, Tutti Empore, General Tutti, 3
Schwelltritte für Manuale II, IV, VI, Crescendowalze, Walze ab, Walze West ab,
Walze Ost ab, Koppeln in
Walze ab.
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